Based in London, Jonathan Fletcher is a songwriter, musician, and composer with a Masters degree in Music Composition for Film and Television. He previously performed extensively both in Britain and abroad with a number of bands, including the multi-instrumental group Revere. Jonathan's credits include tracks used on programs for BBC3, Channel 4, E4, and Channel 5 (UK). He also appeared on the soundtrack to the film Simon Killer, which was directed by Antonio Campos and nominated for the Grand Jury Prize at the 2012 Sundance Film Festival.
Jonathan Fletcher's other credits include: Splitting Hairs (2014 Thriller, Dir. Nathalie Abbott), My Imaginary Life (2014 Sci-Fi/Comedy, Dir. Stella MacDonald), Images of Bedlam (2013 Documentary, Guardian UK), Café Window (2013 Comedy. Dir. Jonathon McGee), Il Capo Re-Scored (2012 - Commissioned to re-score award winning director Yuri Ancarani’s "Il Capo" as part of The Open City Docs fest at UCL 2012), Natterverene (2011 - Music for choreography), and Live Every Litre (2010 - Contributed a number of tracks for the Honda sponsored C4 production).
Noir Herrmann-esq pastiche. Impending doom period style cue with gong crescendo ending. Suitable for retro thriller or crime drama. Instrumental, Dangerous, Apprehensive Music
Drifting, lilting and minimal sparse piano piece with light ambience. Great for beautiful vistas, slow motion, dreamy sequences. Instrumental, Dramatic, Calm Hypnotic
Eerie minimalist textures with both electro and orchestral elements. Claustrophobic, ominous and looming. Suitable for horror or dark thriller. Instrumental, Dramatic, Calm Edgy
Dark modern thriller underscore with orchestral effects with both pared down and epic sections. Ambient opening builds to frenetic ending. Beginning suitable for dystopian cityscape. End section good for battle or fight scene. Instrumental, Dramatic, Sad Music
Herrmann pastiche. Orchestral, plucked strings, driving and suspenseful. Suitable for Hitchcock type psychological thriller, Instrumental, Dangerous, Edgy Music
Chiming slow build pretty opening section opens out into widescreen athemic crashing orchestral rock ending with Hammond organ. Works with intimate scenes opening out to epic vistas. Instrumental, Rock, Symphonic Rock
Creepy suspenseful & brooding dissonant underscore. Orchestra and piano. Big jumps in dynamics. Suitable for horror/thriller. Instrumental, Horror, Horror Ambience
Layered dreamy and uplifting instrumental folk track with Parisian waltz feel. Romantic string quartet, accordion, piano, glockenspiel and acoustic guitar in the vein of the Ámelie. Great for quirky Indie film, drama, rom-com or with pretty visuals. Instrumental, European, France
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