London-based trio Twisterbait is an alt-noise circus whose theatrical, Brit-spit vocal style is well-suited to this band's over-the-top attack of ranting vocals and super-fuzzed guitars. Recent press: Eric Loranger (I Spy Review) said, "It's a good thing the ever-expanding indie genre still holds a place for groups like this, who don't sound like Interpol or The Strokes! Rap your mind around that! No guitar downstroking, no hi-hat Franz Ferdinand drum beat, and no quiet-part-loud-part emo dynamics. Just goofy, energetic authenticity."
Our May Editor’s Choice Award honors a wild and crazy quintessential new millennium Rock Anthem with a fab title: “Let’s Go Shopping.” This catchy music with wacky lyrics and trendy bad boy vocals sums up the world’s therapeutic response to crime, bombs, greed, and other exciting current events.
Twisterbait is a wild UK group who mix electronics with dancey indie tunes, where bouncing beats support bluesy riffs and processed vocals... As produced by Simon Hanson (Death in Vegas), "Bombs" deploys the band's full-out assault of guitar, bass and drums. "Get On Our Bus" is clever and dynamic in its use of cut and paste techniques, and reminds us of a Brian Eno solo project. Cool stuff for alternative ears, campy dark humor, romantic comedy, a romping buddy movie, sitcom opening theme or movie credits, etc.
(MAY 2013) Our May Editor’s Choice Award honors this wild and crazy quintessential new millennium Rock Anthem with such a fab title. This fun and catchy song, with wacky lyrics and crazed male vocals, sums up the world’s therapeutic response to crime, bombs, greed, and other exciting current events.
Party vibe shopping anthem meets global super-consumer critique: "KILLER! Loved it!" (David X, Alternative Beat Show KWOD) "The mighty, mighty song of the week... one track that is stuck in my head. Hell, I'm addicted to it so I figure you may as well be." (Sarah Kerr, Pulse FM), Male Vocals, Themes, Shopping
Beserk bouncing beat busride for chase/road/party action: "Short, funky bursts of grooves, ambiguous vocals and catchy pop guitar hooks.... honest, enjoyable electric-pop... plenty humor and sarcasm to be found. Check the groovy goofball number "Get on our Bus" for examples." (Music Emissions), Male Vocals, Rock, Electronic Rock
Ominous petro-munitional power trip. Thumping rock overlaid with electronics/odd radio talk show excerpt. Landscape-decimation anthem for the military industrial complex / battle-scene soundscape "Sample driven music with a smattering of guitars... there are even hints of Bowie in Bombs" - Music OMH, Male Vocals, Rock, Electronic Rock
"HOTDAMN! I just LOVE a good Clap Track!... on this EP there is a song called "Cannonball" and it has a really FAN-FUCKIN-TASTIC clap track intro... I can't help it... I love the clapping... and the fun-ness of it... "Popstars" is a diggable song as well... very irreverent. BUT CANNONBALL... YEAH." Vocal Samples, Rock, Electronic Rock
Dual dynamic wah-riddled rock assault: cynical straight beat verses collide with cymbal-smashing overdriven guitar wall at 155bpm. Backdrop for crash, speed and chase scenes, extreme sports, surfing, snowboarding, sports action, explosions, military, flying, offroad, car racing etc. Top gear rock. Male Vocals, Indie Rock, Garage Rock
Trippy abstract wandering off-beat left field soundscape suitable for time travel, hallucinations, inter dimensional space exploration, reality-bending mind warp moments and psychedelic scenarios in general: Think Inception, Solaris, Saturn 3, 2001 a Space Odyssey, Contact, Interstellar, Alien, Vocal Samples, Science Fiction, Time Travel
"Twisterbait mix electronics with dancey indie tunes, where bouncing beats support bluesy riffs and processed vocals. The drums and bass are humongous in the mix, making it damn near impossible not to at least nod along... "Popstars" sounds like it could be a long lost Ween outtake" – antiMusic, Male Vocals, Rock, Electronic Rock
Spacious, hypnotic ode to independence: David Gilmour style soft vocal set against gentle melodic backdrop with heartbeat snare simplicity. Suitable for romance/seperation, independence, leaving, freedom, escape, travelling, driving, highway scenes, ocean, space, empty beach, solitude, loneliness, Male Vocals, Indie Rock, Indie Rock
Plodding, disturbed, mechanical dirge for slow self-anihilation. "One song in particular I've played repeatedly is a tune called "Hardcore Clerical". Sort of a "Another Brick in the Wall" for today's office zombies. A theme song for the white collar crowd. Great tune." (2 Walls Webzine), Male Vocals, Rock, Electronic Rock
Moving melodic mellowness punched with electronic snare/space ambience: Spacey, atmospheric acoustic meandering for love and loss, romance and nostalgia. Perfect soundtrack for teen breakups and makeups or lonely beach wandering stone-skimmers. "A great acoustic guitar piece" (2 Walls Webzine), Male Vocals, Pop, Alt Pop
Sun/surf/sand-kissed spacious acoustic latin-edged groove placing passion, freedom, spontaneity, friendship, connection, transcendence and escape against the cold, dark concrete backdrop of many a modern metropolis. Ice-minded cynicism melting into the warmth and candour of uncorrupted humanity. Male Vocals, Pop, Alt Pop
"Garage sound/flair meets destroyed cut-up-electroids attacks... produced by Simon Hanson (Death in Vegas).. inspiring YEAH!!!!" (Lord Litter) Manic-edged ranting Orwelian power-nightmare to suit action scenes: driving, flying, fighting, running, surveilance, horror, terror, fear, madness, Male Vocals, Rock, Electronic Rock
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