Hailing from Florida, HardDrivin' Studious offers smokin' hot race cars, top-fuel dragsters, trackside in the pits -- over 400 tracks... hear it all right here. So real, you feel like you're right there! All tracks are recorded at 24/96 using a modified Fostex FR2 and a Shure VP88 or Earthworks TCK30k and edited with Magix Sequoia 15.
now this was meant to loop but it is still
Sound Design, noyz, it is all just noise until it is actually applied to some thing. give it a listen. Impact, Glass breaking
This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48, Impact, Stones
This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48, Impact, Stones
This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48, Impact, Clanging
The glass is pretty good, in the middle I move individual pieces around from left to right and it sounds freaky kinda ghostly, cool stuff for sound design have fun and play it LOUD. The office chair is ok and the rest is basic stuff.
Thanks for Listening,
Tom s, Impact, Glass breaking
