Swedish multi-instrumentalist Per Boysen creates space-age soundscapes by blending Scandinavian ethnic music from past centuries with modern Electronic and New Age elements. He has performed Octophonic surround concerts in South-East Asia, Europe, and the USA, including venues like Présences Electronique in Paris and the North Sea Jazz in Rotterdam. With a background as a major label signed artist and studio guitar player, Per has scored a gold-selling album in Sweden and received recognition from Guitar Player Magazine in the USA.
"Among the many festival highlights was Swedish guitarist and flute/wood-wind player Per Boysen's Jon Hassel-like soundscapes." (Guitar Player Magazine, USA)
"Per Boysen's live looped ambience music with layers over layers of sax and flute melodies was a real experience, and it was obvious that he is utilizing the electronics as his personal expression without being a slave to the technology." (Smålandsposten, Sweden)
“Boysen has become an icon of as many bizarrely named pseudo-categories as inventive journalists could come up with. His prerogative of 'liking music, but not genres' has fueled his ongoing 'search for unplayed music,' which is uncompromising in its strive for fresh emotions, but doesn't shy away from audience appreciation either.” (Tokafi)
"Per Boysen returns to his looping roots with a set for his exquisite flute playing and absolute mastery of his software, many of whom’s scripts he created himself. He has such a command of acoustic musicianship coupled with a truly vast knowledge about digital sound processing and live looping. I think of him as a giant in our community" (Rick Walker. Founding promoter Y2K International Live Looping)
Middle East/Asian inspired music on the Oud-like fretless harp guitar with a cello section made to sound as harsh as a dry desert. Due to some rattle snake like percussion this track may also fit any work dealing with North/South American, Mexican, Canadian projects. Available in different versions, Instrumental, World Music, Mid-East World Fusion
Atmospheric piece with alto flute and Stick Guitar. Recorded with interactive live electronics to allow an instantly composing process as well as soundscapes like for example the "reversed guitar playing", as first utilised by Jimi Hendrix. Quite and thoughtful building up for a climax in revelation, Instrumental, World Music, Pan-World Fusion
The Sitar from India plays at the front, backed up by a small strings ensemble and drumming. Relaxed but yet intensive music, good for creating a flavor of India in your media production. Voice-over narration works fine too. Instrumental, World Music, Indian World Fusion
Orchestral hybrid music with expressive woodwinds sporting an eastern flavor. Halfway through the track comes a break-down section where a cool muted jazz trumpet takes over the Asia-influenced melodic theme. The main opening harp theme returns and takes the lead through the escalating grande finale, Instrumental, World Music, Pan-World Fusion
Slow contemplative piece for the Sitar, the Hang Drum, Synthesizer and percussion. A meditative eastern flavor here marries a relaxing chill-out synth attitude. Suitable for eastern scene underscore or situations like spa life, yoga and meditation classes. Instrumental, World Music, Mid-East World Fusion
Slow contemplative piece for the Sitar, the Hang Drum, Synthesizer and percussion. A meditative eastern flavor here marries a relaxing chill-out synth attitude. Suitable for eastern scene underscore or situations like spa life, yoga and meditation classes. Instrumental, World Music, Mid-East World Fusion
ARTIST KEYWORDS: Per Boysen, Instrumental Rock, Jazz, Classical, New Age, Electronic, Cinematic, Scoring Cues, soundtrack, surround, John Abercrombie, ECM, fiord, stick, harp guitar, fretless, flute, Mark Knopfler, Dire Straits, Pink Floyd, harp, cello, electric, David Gilmour, Robert Miles
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