Chris Davey is a UK-based Film Composer and Producer who has scored over 40 films including features, shorts, and documentaries. In addition to his film compositions, his work has been featured on such shows as "Top Gear" and "Blue Peter," and can be heard respectively on BBC, Sky, and Audi advertisements. Chris is currently writing music for Trailers for Hollywood, the UK, and abroad in a wide variety of genres like Dramatic, Corporate, and more. His consistent high quality and engaging compositions captivate and inspire listeners
Chris Davey's credits include: It Ends At The Shore (2011) – Composer Straws (2012) – Assistant Composer Straws, The Making Of (2012) – Composer Hotel Paradise (2012) – Composer Old Dogs (2012) - Composer The Atheist (2012) – Composer/Sound Design Him & Her (2012) - Composer The Toy (2012) – Composer (Completed) Chaotica – (2012) – Composer (Post Production) Radioheads – (2012) (Post Production) Golden Brown (2012) - Composer (Completed) Cacophony (2013) - Composer (Completed) Sleeping Dogs (2014) Antarctica (2015) Fire and Ice (2016) Little Kingdom (2016) The Space Within (2016) The Radiant One (2016) The Blue Time (2017) Standing Tall (2017) Cut By Beam (2017) Anything You Want (2017) Terezin (2018)
cool and beautiful piece begins with pulsating synths and subtle ambience. sampled vocals throughout. The main synthesised vocal hook utilises reverb and long delays leading to a groovy and enjoyable house type beat. Corporate material would benefit massively along with events and functions. Male Vocals, Corporate, Corporate Dance House
A filtered and delayed drum beat rises to a very catchy synth hook with sampled vocal harmonies that give this unique piece flavour and character. guitars start to fill the track out towards the end with beats of silence to keep the listener engaged. 1980's feel remenicent of Tears for Fears, Female Vocals, Corporate, Corporate Dance Breakbeat
This track opens feeling sneaky and secretive, trying not to give much away, however as it moves into the mid section brass and massive toms explode giving a grand symphonic universe of sound. The ending has a catchy boys choir hook that is memorable and riveting. The end feels positive and heroic, Female Vocals, Action, Orchestral Action
An ambient and spacious introduction sits under a live soft piano. Sub bass grounds the slow piano, giving a warm and beautiful sound. Similar to pieces by Tony Anderson and James Everingham. Modern and would work well in documentary or short film. A subtle voice is introduced towards the end. Humming, New Age, Contemporary Instr
A swing beat opens the track and gives a very groovy feel. recorded Vocals from a sampler make this track feel like a journey, perfect for background music to travel programmes, commercials or car adverts and leisure. Feeling of longing, Uplifting overall and happy vibe with a predictable ending. Female Vocals, Corporate, Corporate Pop Electronic
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