Chris Davey is a UK-based Film Composer and Producer who has scored over 40 films including features, shorts, and documentaries. In addition to his film compositions, his work has been featured on such shows as "Top Gear" and "Blue Peter," and can be heard respectively on BBC, Sky, and Audi advertisements. Chris is currently writing music for Trailers for Hollywood, the UK, and abroad in a wide variety of genres like Dramatic, Corporate, and more. His consistent high quality and engaging compositions captivate and inspire listeners
Chris Davey's credits include: It Ends At The Shore (2011) – Composer Straws (2012) – Assistant Composer Straws, The Making Of (2012) – Composer Hotel Paradise (2012) – Composer Old Dogs (2012) - Composer The Atheist (2012) – Composer/Sound Design Him & Her (2012) - Composer The Toy (2012) – Composer (Completed) Chaotica – (2012) – Composer (Post Production) Radioheads – (2012) (Post Production) Golden Brown (2012) - Composer (Completed) Cacophony (2013) - Composer (Completed) Sleeping Dogs (2014) Antarctica (2015) Fire and Ice (2016) Little Kingdom (2016) The Space Within (2016) The Radiant One (2016) The Blue Time (2017) Standing Tall (2017) Cut By Beam (2017) Anything You Want (2017) Terezin (2018)
Conventional Introduction of staccato strings moves this piece forward with cool and unique sound design throughout. Mainly orchestral with a medium tempo that gets faster, helping to add interest. Massive Drums and modern production value, Tense and movie like with the classic choir finish. Instrumental, Action, Orchestral Action
Professionally produced Hollywood trailer music that hits hard from the get go. Brass, strings, hybrid sound design. You name it, it has it. Very dark and thematic, heroic ideal for movie trailers, tv spots and advertising. 3 act structure ending with realistic choirs and hard hitting percussion. Instrumental, Action, Orchestral Action
A very intense Hollywood trailer cue building and booming until it's climax. Professionally produced with huge impacts, hits and sound design. Signature sounds similar to Inception soundtrack by Hans Zimmer but with a unique take. Rising, curious and great for telling a story on ads or tv spots. Instrumental, Action, Orchestral Action
Huge whoosh hits and sound design open this track with a bending alarm sound acting as a signature sound. Staccato strings then up the tempo, and give the track a constant rising and building feeling. Trailer music, brooding and impending. Modern and perfect as an epic orchestral underscore. Instrumental, Action, Orchestral Action
A massive opening with huge hits and an air raid siren makes way for a drum kit and intense rising suspenseful sound design. Action packed and upbeat with a cool and badass vibe, perfect for movie trailers and commercials. The ending is a full orchestral palette with huge impacts for the climax. Instrumental, Action, Orchestral Action
A massive opening hit grabs attention, followed by a fast synth bass that rises and when its drops, a massive sounding drum kit explodes with chugging guitars, massive hits and male vocal chants accentuanting the hits. perfect for action sequences, fight and chase scenes and trailer music. 2000 2010, Instrumental, Action, Intense Rock
cool staccato strings and hits open this inquisitive track, with a serious and tense feel throughout. The first section builds with a lush string ensemble to the climax section with the staccatos rising and building along with the percussion. A brass ensemble plays a thematic tune in the climax, Instrumental, Action, Orchestral Action
This track opens feeling sneaky and secretive, trying not to give much away, however as it moves into the mid section brass and massive toms explode giving a grand symphonic universe of sound. The ending has a catchy boys choir hook that is memorable and riveting. The end feels positive and heroic, Female Vocals, Action, Orchestral Action
a cool pulsating alarm begins the track underlying a dark piano hook that holds the listener. repetitive staccato strings captivate the ear and move the piece forward with big hits. There is a breakdown with bending brass and sound design. Overall the feeling is dark, something is coming. Instrumental, Action, Orchestral Action
Huge well produced impact and filtered drum rolls open this track when a dark and cool guitar and bass riff plays within loops. The loops build with brass, sound design and a bass synth to a rising stuttering climax. Great for opening trailer introduction, tv spot or car advert. Sinister and angry, Instrumental, Action, Orchestral Action
A synth driven track with a chase scene feel constantly building and rising to various climaxes. A fun and quirky piece with drum loops, soaring brass and pounding strings. Fast paced and a tempo that just keeps racing. African drums give movement and help transitions that make this perfect for ads, Instrumental, Action, Orchestral Action
A beautiful felt piano begins and blows up into a huge orchestra that sweeps with strings up until a unique bending signature sound. Rhythmic elements then move the piece into intense action packed territory, with a strong and bold heroic theme reminiscent of John Barry's James Bond scores. Instrumental, Action, Orchestral Action
Bending ambience opens the track with choir pads and rising brass. Ostinato then break through giving a serious and film score feel to this track that is perfect for a movie trailer or tv spot. Pounding drums and powerful brass deliver an explosive climax that is overall dark and soaring or heroic. Instrumental, Action, Orchestral Action
Subtle strings and dark ambience open this trailer track with sub hits and pulsating short string osinatos. Sounds like mad max and junkie XL's score. Evil and orchestral with hybrid elements Massive sound design, shouting choirs towards the climax with rising sweeping strings and whoosh-hits. Chaos, Instrumental, Action, Orchestral Action
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