A moody and flamboyant romantic-era derivative work. Disjointed and frenetic with a robust ending, it may be ideal for scatterbrained individuals; messy papers, disheveled rooms, etc. A Modern-Classical approach to solo piano; Inspired by 19th Century Russian Romanticism. Instrumental, Classical, Classical Piano
Frederic Chopin - Waltzes, No. 2 in B minor, Op. 69, Moderato. Performed and recorded by Abigail Mettry exclusively for Lynne Publishing. Instrumental, Classical, Classical Piano
Frederic Chopin Nocturne No. 21 in C minor, Op. Posth. B.108. Performed and recorded exclusively for Lynne Publishing by concert pianist Želimir Panić. Instrumental, Classical, Classical Piano
Frederic Chopin, Impromptu No. 1 in A flat Major, Op. 29. Performed live in studio by renowned concert pianist Vadim Chaimovich, exclusively for Lynne Publishing. Instrumental, Classical, Classical Piano
Franz Schubert & Franz Liszt: Ständchen (Serenade) No. 7 from Schwanengesang (Swan Song). Solo piano. Performed live in studio by renowned concert pianist Vadim Chaimovich. Instrumental, Classical, Classical Piano, Franz Schubert
Chopin Nocturne no. 20 in C sharp minor op posth Solo Piano. Performed live in studio by renowned concert pianist Vadim Chaimovich. Instrumental, Classical, Classical Piano, Frederic Chopin
This beautiful piano prelude is a walk alone with one's thoughts, a quiet reflection; full of quiet strength and humbleness of the mind. Punctuated by moments of exquisitely simple, and profound harmonies. As background music this track can bring out the beauty in any scene. Instrumental, Classical, Classical Piano
A slow, emotional and dramatic piano piece by Bach. Quiet and moving, it has an old-world charm and feel to it- a nostalgic love story set in the early 1900's, or a bittersweet tale of brokenness in a futuristic world (the unusual harmonies Bach wrote would work well for a modern vibe). Instrumental, Classical, Classical Piano
An impressive work by the genius composer Franz Josef Haydn. This piano sonata is light, delicate and buoyant; would be perfect as background music for scenes of upscale, high-society parties. (Keyboard Sonata in D Major, Hob. XVI:37; Op.30 No.3; Op.17 No.1 (Hummel), III. Finale), Instrumental, Classical, Classical Piano, Franz Joseph Haydn
A cinematic arrangement of the famous La Campanella etude by Liszt (who arranged it from a violin concerto by Paganini). The melody is hauntingly beautiful, perfect for dramatic scenes, romance, haunting or mystical background music. Instrumental, Classical, Classical Piano, Franz Liszt
A stately, elegant and light piano sonata by Wolfgang Amadeus Mozart. Evokes a sense of 18th century Vienna, the Romantic and Classical Periods. Would fit well for scenes needing stately, beautiful background music- extravagant parties, political banquets, luxurious ballrooms. Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
That somber feeling after a sad and long-forgotten memory has managed to inexplicably and unknowingly return. Live solo piano. Soft and quiet. Instrumental, Classical, Classical Piano
Claude Debussy’s “Reflets dans l’eau” (“Reflections in the Water”) is the first of three piano pieces from his first volume of “Images.” An example of the new tone colors Debussy discovered for the piano, the piece creates an image of water being not quite still, then becoming rapid, then decreasing, Instrumental, Classical, Classical Piano, Claude Debussy
Relaxing, sentimental, expressive, hypnotic, dreamy, slow-flowing piece for classical piano, a Love Story, emotional with a sense of floating, waiting, melancholy & stillness for wedding videos, drone footage, video production, history & documentaries, nature & woodland, sensitive issues, Charities. Instrumental, Classical, Classical Piano, Johann Sebastian Bach
Ballade No. 2 in F major, Op. 38, was composed from 1836 to 1839 in Nohant, France and on the Spanish island of Majorca. Robert Schumann, who had dedicated his Kreisleriana, Op. 16, to Frédéric Chopin, received the dedication of this Ballade in return. There is some degree of disagreement as to its, Instrumental, Classical, Classical Piano
The Fantasy in F minor, Op. 49 was completed and published in 1841. It is one of the pinnacles of Frédéric Chopin's creative art. Generally regarded as a masterpiece, it has received a number of brilliant pianistic interpretations. It is a work that has fascinated successive generations of listeners, Instrumental, Classical, Classical Piano
The Impromptu No. 3 in G-flat major, Op. 51 was composed in 1842 and published in 1843. It carries within it something of the atmosphere of Frédéric Chopin’s salon – an exceptional salon, not conventional and snobbish, but as poetic as it is elegant, transporting its denizens into another dimension. Instrumental, Classical, Classical Piano
Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and dedicated to Julian Fontana, who published the piece despite Chopin's request not to do so. The outer sections of the piece, adhering to an allegro agitato tempo, take on, Instrumental, Classical, Classical Piano
Atmospheric piano track that stimulates trust, accentuates beauty and brings relief. Great for underscores of documentaries, videos and advertisements about relationships, nature, inspiration, motivation and self-developement. Instrumental, Classical, Classical Piano
“Adagio sostenuto” is the first movement of Ludwig van Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, commonly known as Moonlight Sonata. The piece is one of Beethoven's most popular compositions for the piano. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1 has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of simple arpeggios throughout the entire piece, while the right hand moves with freedom in patterns of seven, eleven, twenty, and, Instrumental, Classical, Classical Piano
Frédéric Chopin composed his most popular Nocturne in E-flat major, Op. 9, No. 2 when he was about twenty. The nocturne is reflective in mood until it suddenly becomes passionate near the end. The new concluding melody begins softly but then ascends to a high register and is played forcefully in, Instrumental, Classical, Classical Piano
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
The Scherzo No. 2 in B-flat minor, Op. 31 was composed and published in 1837. Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and contempt." The renowned sotto voce opening was a question and the second phrase the answer. For Chopin it was never, Instrumental, Classical, Classical Piano
Frédéric Chopin's Grande Valse Brillante in E-flat major, Op. 18 shimmers with the gaiety of elegant society. It is a succession of dance themes. Each of the dance themes (there are seven in all) brings a different melodic character and dance motion. Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. Instrumental, Classical, Classical Piano
Frédéric Chopin's Waltz in D-flat major, Op. 64, No. 1 hearkens back to the style brillant. The dazzling, but insubstantial expression acquired new characteristics. Firstly, a succinctness of utterance, secondly, the somewhat melancholy tenderness with which the waltz’s trio is expressed. But the, Instrumental, Classical, Classical Piano
Frédéric Chopin's Waltz in C-sharp minor, Op. 64, No. 2 is a masterpiece in its category – a gem of poetry, expressed in a concise, essential way. This Waltz takes the form of a dance with trio. The unforgettable opening theme is imbued with harmoniousness, sweetness and melancholy. The lyrical tone, Instrumental, Classical, Classical Piano
Frédéric Chopin’s Waltz in B minor, Op. 69, No. 2 is largely melancholic and changes to B major and again reverts to the original theme. It is not technically demanding and is one of Chopin's better known pieces. Instrumental, Classical, Classical Piano
Frédéric Chopin composed his Waltz in E minor, Op. Posth c. 1830. The piece is characterized by youthful playfulness in the relaxed and delightful settings of the aristocratic salon. Instrumental, Classical, Classical Piano
Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 as the first piece of his Études Op. 10. This study in reach and arpeggios focuses on stretching the fingers of the right hand. Its harmonies resemble a chorale and its, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Etude Op. 10, No. 3, in E major, is a study for solo piano composed by Frédéric Chopin in 1832. It was first published in 1833 in France, Germany, and England as the third piece of his Études Op. 10. The Etude (Lento ma non troppo) is a nostalgic song, broken off by a moment of extreme agitation. It, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 4, in C-sharp minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 as the fourth piece of his Études Op. 10. This passionate study, a very fast Presto con fuoco, features continuous sixteenth notes (semiquavers), in perpetuum mobile, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 5, in G-flat major, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, Germany, and England as the fifth piece of his Études Op. 10. The so-called "Black Key Etude" is one of the most popular. It presents a cascade of ‘pearly’,, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 6, in E-flat minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 as the sixth piece of his Études Op. 10. This étude focuses on expressiveness and chromatic structuring of the melody as well as polyphonic texture. The piece has the, Instrumental, Classical, Classical Piano
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