California composer James Barry's innovative approach combines hypnotic interlocking melodies with criss-crossing counterpoint to create moods ranging from ethereal and dreamy to dense and edgy. He has composed for and recorded/performed with a wide variety of artists and ensembles, including Joshua Radin, Ozma, Tears of the Moosechaser, Tinhorn Justice, and Falsetto Teeth, among others. James is a Cal Arts-trained cellist and a skilled bassist, guitarist, and accordionist, and he makes every attempt to combine those abilities with his programming and sequencing skills.
Dueling plucked cellos break into a fanfare of bowed strings, twangy guitar and flowing accordion floating over a brushed snare drum kit. Ideal for a television or radio promo spot or Indie film trailer or opening sequence, Instrumental, New Age, Contemporary Instr
Droning cellos gradually morph into intricate criss-crossing patterns accompanied by fleeting guitar and organ accents over a foundation of popping percussion sounds, ideal for a car commercial or Indie Film soundtrack. Rhythms bring to mind the music of Steve Reich or Phillip Glass. Instrumental, New Age, Contemporary Instr
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