UK's Paul Cooper-James creates eclectic soundtracks, Ambient 'beds,' Classical arrangements, Asian Ethnic music, thrilling pieces for psychological dramas, and amazing, exciting TV and Film music. How does Paul make instruments speak? As a proficient pianist, organist, clarinetist, and harpist, he brings these instruments alive just as his extensive choral experience lends itself to writing vocal music. At times deeply spiritual, other times excitingly rhythmic, dark, or simply light and fun-loving, Paul’s tracks are highly adaptable.
Paul Cooper-James has composed and conducted music in numerous cathedrals and concert halls around the UK and became a music adviser for the Midlands and South Wales. His influences include spiritual mantras as well as large-scale cinematic composers such as Hans Zimmer, Rupert Greyson-Williams, Christian Welde, and John Tavener. Paul acquired his musical skills through church music and a love of popular music while earning a degree in music and a Master's degree in musical engagement. He is a proficient organist, pianist and accompanist, and a trained tenor and counter-tenor. Paul has continually performed in public throughout his life with established regional, national and international choirs, ensembles, and soloists.
Engaging high 'bed' backdrop suitable for science fiction indicating ethereal eternity. A slowly changing transforming texture also suitable for accompanying deep space images and slow moving objects. Suitable for discovery of the unknown. Vocal Pads, Science Fiction, Ambient Soundscape
Haunting soundtrack / bed for perception of eternal space and the universe. Ideal for missions into space where weightlessness is portrayed and endless space. Science or science fiction, Instrumental, Science Fiction, First Contact
Deep enthralling drone with quiet anthem to start. After foreboding lull builds to some intensity followed by a short fade. Suitable for foreboding scenes. Vast new areas of space or civilisations. Liquid sound included. Instrumental, Science Fiction, First Contact
A descriptive orchestral dramatic entrance music to indicate the fear of alien aircraft in vast numbers followed by music for their departure. Creatures in great numbers. Instrumental, Science Fiction, Alien Invasion
An engaging low drone 'bed' which slowly builds up indicating a distant intelligent threat that is approaching. Extreme alien music suitable for scenes discovering alien life and the meeting between two kinds. Suitable for games or film. Instrumental, Science Fiction, First Contact
Immersive with convincing new life sounds with background atmospheric enhancing mood instruments. Suitable for a new contact scene landing on a new planet with life. Radio, film or TV. Could also be used for any scene where animal life is found in new or strange places. Instrumental, Science Fiction, Ambient Soundscape
An atmospheric suspenseful track scored for voices and sub bass, suitable for any scenes linked to space, eternity, drifting, sci-fi or futuristic technology. Also suitable for 'lost in space' type storylines or investigations into the unknown or aftermath of conflicts. Mixed Vocals, Science Fiction, Sci-Fi Ambient Music
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