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Dvořák said "I found that the music of the negroes and of the Indians was practically identical". Obviously he had no idea about rhythm. The complexities of African Rhythm's is beyond most classical musicians. I have tried to get a true American feel. Keywords: new world USA guitar classic symphony melody tune harmony composition song arrangement rhythm time pulse sequence goin home In a 2008 article in the Chronicle of Higher Education, prominent musicologist Joseph Horowitz asserts that African-american spirituals were a major influence on the 9th symphony, quoting Dvorák from an 1893 interview in the New York Herald as saying, "In the negro melodies of America I discover all that is needed for a great and noble school of music."
It has been claimed that the theme from the Largo was adapted into a spiritual-like song "Goin' Home", by composer Harry Burleigh who borrowed it from the Negroes.
Despite all this, it is generally considered that, like other Dvorák pieces, the work has more in common with folk music of his native Bohemia than with that of the United States. Leonard Bernstein said that the work was truly multinational in its foundations.
I think like many composers Dvorak and most Europeans, can't even clap their hands in time.
Flamenco dancers are the exception.
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Keywords:New World USA, music for videos, music for film, royalty free music library, flash music loops, royalty-free songs, cheap royalty free music, royalty free audio, business music, stock music tracks, royalty-free stock music, royalty free background music, tv music, flash music, stock music loops, independent music, music for video, commercial music, royalty free sound, stock music, royalty free music download, royalty free sounds, license music, world music, production music library, royalty free music loops, stock music clips, stock music downloads, music wav, download music, music library downloads, music for commercial use, royality free songs for wedings, new world USA guitar classic symphony melody tune harmony composition song arrangement rhythm time pulse sequence goin home In a 2008 article in the Chronicle of Higher Education, prominent musicologist Joseph Horowitz asserts that African-american spirituals were a major influence on the 9th symphony, quoting Dvorák from an 1893 interview in the New York Herald as saying, "In the negro melodies of America I discover all that is needed for a great and noble school of music"
It has been claimed that the theme from the Largo was adapted into a spiritual-like song "Goin' Home", by composer Harry Burleigh who borrowed it from the Negroes
Despite all this, it is generally considered that, like other Dvorák pieces, the work has more in common with folk music of his native Bohemia than with that of the United States Leonard Bernstein said that the work was truly multinational in its foundations
I think like many composers Dvorak and most Europeans, can't even clap their hands in time
Flamenco dancers are the exception
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