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Subtitled, 'Phantasmagoria,' 'Ottoman Odyssey' is an arrangement derived from the original production comprised of a haunting motif that availed itself to mystery and ethnic interpretation. The 'world music fusion' that resulted from the original production incorporates instrumentation from the... Keywords: Dumbek; Oud Turkish Ney; Doudouk Changes of Fortune Syria Mesopotamia Palestine Arabia Egypt Barbary Balkans Russia Hungary Iraq levant Israel Judea Assyria elegant mysterious Middle Eastern exotic travel montages epic romance mystery espionage desert drug deals swirling dancers isis isil islamic state caliphate Persia Philistine Phoenicia Canaan islam Islamic terror terrorism
Story Behind the Music: This composition was penned late in 2004 at the suggestion of Danney Alkana of 'Bonanza Music.' An industry listing had beckoned for music to CSI [a program I have never seen] and I had absolutely nothing to contribute. Over the next couple of days I arranged a track that was not picked up but nonetheless might have future potential. I took the track into Patrick Collins at 'Collinator Studios' where we 'finished' the basic tracks. And there it sat until July of 2008, when I reconsidered the original arrangement in my new studio, 'On Top Of a Cloud' in Lake Tahoe.
Price: USD $6.95 For use in all media, in perpetuity, throughout the world and Universe
Subtitled, 'Phantasmagoria,' 'Ottoman Odyssey' is an arrangement derived from the original production comprised of a haunting motif that availed itself to mystery and ethnic interpretation. The 'world music fusion' that resulted from the original production incorporates instrumentation from the... Instrumental, Middle East, Middle-Eastern Rock
Description:Ottoman Odyssey, Middle East Music, Middle-Eastern Rock, production music library, stock music loops and music loops
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Story Behind the Music: This composition was penned late in 2004 at the suggestion of Danney Alkana of 'Bonanza Music' An industry listing had beckoned for music to CSI a program I have never seen and I had absolutely nothing to contribute Over the next couple of days I arranged a track that was not picked up but nonetheless might have future potential I took the track into Patrick Collins at 'Collinator Studios' where we 'finished' the basic tracks And there it sat until July of 2008, when I reconsidered the original arrangement in my new studio, 'On Top Of a Cloud' in Lake Tahoe
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