Paul Llew-Williams has written soundtracks for several films, and stage plays including one about online bullying and working with "Da Kink in My Hair" team. Ambient, Chill Out, and Minimalism has always interested Paul being especially passionate about their connection to film/video. Paul is working on a collection of emotionally impacting soundtrack pieces which will highlight some of Paul's guitar skills and include guest vocalists. Paul is currently performing and recording with his Jazz group, The Brickhouse Trio.
Paul Llew-Williams is a guitarist and keyboardist who arranges and composes for any instrumentation. In the future, Paul would love to write more music for film, TV, and other multi-media opportunities. Paul received his Music in Arts degree from the University of Western Ontario, his Bachelor of Education from the University of Windsor, and his Music specialist from the University of Toronto. Paul has been working closely with Rachael-Lea Rickards and Trey Anthony of Kinky Dinner Productions. He wrote and arranged music for a revamped version of “I am Not a Dinnermint”which debuted in July 2007 at Harbour Front Theatre in Toronto. He is currently writing a new musical for an upcoming creative, and he has written Choral music along with music for a concert band (Eighth Note Publications), and instrumental music in various styles for multimedia presentations and film works. He has written soundtracks for educational films for the Board of Education and the Ministry of Education.
Dreamy and sensual female vocals add to the layers of synths and guitars to create a "Dreamscape" of emotions. Features female vocals in the Lana Del Ray style, echoey guitars, driving trap drum tracks, lyrics about love, lost love, longing and desire to feel safe in someones arms. Romance dreamy, Female Vocals, Pop, Ambient Pop
After a slow and playful introduction, a woman's voice is heard saying positive and encouraging message. This leads to percussive guitars and a lead vocal singing another positive message. An etherial choral backing track matches the percussive and dense instrumentation. Female Vocals, Dramatic, Calm Edgy
Underscore originally written for intro/outro scenes of a play. Sounds of wind and textures meld into a groove with guitar, keyboard and percussion loops. B sections has surprising harmonic shift and moves in some surprising directions. Think night sky, 3am drives, character reflection scenes. Instrumental, Dramatic, Calm Edgy
Tribal ambient music with a short spoken word lyric: dark and flowing textures with interesting spoken theme and melodic guitar hooks. Starts with a slow burning build up to a orchestral/choral bridge, moody car commercial to a scene with a character break through, driving at night, or group connect, Spoken Word, Themes, Street Music
Sultry female vocals overlay electronic layers and processed floating guitars. This creates a misty and dreamy soundtrack for love scenes and relationship sparks. Searching, wandering, open wide spaces, textural and layered, sensual. Female Vocals, Pop, Ambient Pop
Edgy female vocals expose the dark and light sides of us all. Quirky and beat driven song with driven guitars and ambient sound choices provide drive and emotional depth. Song can be unsettling and moody, or provide an energy pick up when you need one. Female Vocals, RnB, Contemporary RnB
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