Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. Instrumental, Classical, Classical Piano
Claude Debussy’s “Pour l’égyptienne” (“For the Egyptian Women”) belongs to “Six épigraphes antiques” (“Six Antique Epigraphs”), a suite of six pieces for piano duo. Much of the music is taken from the musical accompaniments he had written for his friend Pierre Louÿs’s erotic lesbian poems “Les, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s Arabesque No. 1. Andantino con moto (from “Deux arabesques”) is one of the very early impressionistic pieces of music, following the French visual art form. The piece wanders through modes and keys to achieve evocative scenes through music. Debussy’s view of a musical arabesque was, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Reflets dans l’eau” (“Reflections in the Water”) is the first of three piano pieces from his first volume of “Images.” An example of the new tone colors Debussy discovered for the piano, the piece creates an image of water being not quite still, then becoming rapid, then decreasing, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “La fille aux cheveux de lin” (“The Girl with the Flaxen Hair”) is the eighth piece in the composer’s first book of “Préludes.” The piece, known for its musical simplicity reminiscent of a pastoral folk-like tune, is one of the most recorded pieces of Debussy’s, both in its original, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Ballade slave” (“Slavic Ballad”) is a piece for the solo piano that rests on a single theme and the repetition of its basic motifs. It is tangibly Russian in character, constructed around the principles of variation technique. Despite its Russian flavor, the piece contains a clear, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Prélude” constitutes the first movement of his famous piano suite “Suite bergamasque.” In the key of F and marked tempo rubato, it is full of dynamic contrasts with a vigorous beginning and ending. It is a festive piece, which holds much of the Baroque style that is commonly found, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Menuet” constitutes the second movement of his famous piano suite “Suite bergamasque.” In A minor, its playful main theme contrasts with an alternatively mysterious and dramatic middle section. The piece is particularly original, as it does not conform to the particular style that, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Clair de lune” (“Moonlight”) constitutes the third and most famous movement of his popular piano suite “Suite bergamasque.” In D flat major and marked “andante très expressif,” it is played mostly pianissimo. Musically, Debussy’s “Clair de lune” belongs to French Impressionism. Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Passepied” (a type of dance which originated in Brittany) constitutes the final movement of his famous piano suite “Suite bergamasque.” In F sharp minor and marked “allegretto ma non troppo,” it is a happy, strangely medieval, piece, which is surprisingly faster than its Baroque, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Le Petit Nègre” (“The Little Negro”) for solo piano was intended for aspiring young pianists to afford modest technical advancement, and to provide delight and musical insight for both players and listeners alike. The piece is one of the simplest and most approachable piano pieces, Instrumental, Classical, Classical Piano, Claude Debussy
Fantasia No. 3 in D minor, K. 397/385g (Fantasy in English, Fantasie in German) is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in 1782. Despite being unfinished at Mozart's death, the piece is nonetheless one of his more popular compositions for the piano. Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Menuetto. Trio constitutes the second movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331 (300i), most likely composed in Vienna or Salzburg around 1783. The second movement of the sonata is a standard minuet and trio movement in A major. The minuet is 40 measures long, and, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Rondo alla turca constitutes the last (third) movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331 (300i), most likely composed in Vienna or Salzburg around 1783. The last movement, "Alla turca," popularly known as the "Turkish March," is often heard on its own and is one of, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Allegro constitutes the first movement of Wolfgang Amadeus Mozart's Piano Sonata No. 16 in C major, K. 545, described by Mozart himself in his own thematic catalogue as "for beginners." The sonata is sometimes known by the nickname Sonata facile or Sonata semplice. The first movement is written in, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Andante amoroso E-flat major constitutes the second movement of Wolfgang Amadeus Mozart's Piano Sonata No. 3 in B-flat major, K 281 (189f) (1774). The sonata is one of the most virtuosic pieces Mozart ever composed, written during the visit Mozart paid to Munich for the production of La finta, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Andante constitutes the second movement of Wolfgang Amadeus Mozart's Piano Sonata No. 16 in C major, K. 545, described by Mozart himself in his own thematic catalogue as "for beginners." The sonata is sometimes known by the nickname Sonata facile or Sonata semplice. The second movement is in the key, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
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