William Straub is a gifted multi-instrumentalist and Singer-Songwriter from the Pacific Northwest. With a mastery of period sounds and vocal and stylistic mimicry, he is just as adept at producing original music. His range extends from Classical and Orchestral to Blues, Folk, Jazz, Classic Pop and Rock, Country, and beyond. His catchy, memorable melodies, combined with a stellar grasp of harmony, keen arranging, performance, and mixing skills are evident, and William’s tracks would complement film, TV, and a host of new media projects.
William has released two albums on CD Baby: "It's Always Something" and "You Know," and he has music on SoundCloud.
Come visit the energetic, exciting, fun music of an alternate 1964 - alternate in only one respect: a new band from the Pacific Northwest, called The Five Mysteries, has just released their first single in June, and by the end of summer it has begun to chart! Listen to this remix of the A-side now! Male Vocals, Pop, 60's Pop
Listen to the smooth, distinctive sound of Elvis in 1956! At that time, after a year of rising popularity in the South, Elvis Presley finally received national acclaim. It was an exciting time in music! The sound of Elvis, and of that time in recording history, is captured in this release! Male Vocals, Pop, 50's Pop
Listen to the smooth, distinctive sound of Elvis in 1956! At that time, after a year of rising popularity in the South, Elvis Presley finally received national acclaim. It was an exciting time in music! The sound of Elvis, and of that time in recording history, is captured in this release! Male Vocals, Pop, 50's Pop
The band The Five Mysteries, in our Alternate 1964, penned this ballad about insecurity in love, written in the musical style of the Dave Clark 5 hit 'Because,' and released as the B-side of 'Can I Count on You.' It did well in the charts, representing the USA in the midst of the British Invasion. Male Vocals, Pop, 60's Pop
A song written and performed with the great Roy Orbison in mind. It features a smooth vocal set off by a bouncy rhythm section and violin accents. In the best tradition of Orbison, melodically and lyrically, it recounts in mournful style his dismay as he realizes how he lost his loved one. Male Vocals, Pop, 50's Pop
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