David Ezra Okonsar is a prolific Turkish-Belgian Classical and Contemporary Classical composer, concert pianist, conductor, educator, and musicologist. He studied piano and composition at the Royal Conservatory of Brussels with Dame Jacqueline Fontyn and Jean-Claude Vanden Eynden. He was also a pupil of piano legend Alexis Weissenberg. David’s compositions fearlessly explore unusual forms and ensembles with complex atonal harmonies interwoven with a very modern but elegant lyricism.
Credits for David-Ezra Okonsar:
"I enjoyed listening to them (piano solo and recorded compositions). Your music is very creative. Please continue to create. The world is in need of musical creations that can inspire others. You have all my best wishes." Chick Corea letter of November 25, 1985.
"He's a very major talent and I think he'll go places. He has a very strong charisma on the stage." Bryce Morrison (Gramophone) Calgary Herald.
"Here is a performer of real individuality, with perhaps the most impressive sound at the keyboard." William S. Goodfellow, Deseret News.
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
A rustle of violins, violas, flute, brass, and cellos. Sul tasto, col legno, flageolets, screaming cellos, unworldly flutes, solo violins, and cellos; plucked and abused pianos and others. The classical orchestra played with special techniques and built to the full attention of your audience. Action,
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