Massimo Discepoli began the Nheap project in 2007, composing and producing his own music that blends Jazz, Electronic, Rock, Post-Rock, Avant-garde, and Experimental. The first album, "Realight," was released in 2008, his second, "Skymotion," in 2009, and his third, "Clouds Under The Table" in 2011. Each album received extremely positive reviews, and his last two albums were voted Best of 2009 and 2011 by many blogs and magazines. Massimo's clients include Samsung, MTV, CNN, Bill Clinton Foundation, Black Box, Picture Shack, Red Bull Media House, Gizmodo.
Massimo Discepoli's 2011 album "Clouds Under The Table" was selected as a "Top 10 album of 2011" by both NetMusic Life and Doujin-music.
"I just think this entire album is beautiful" - All About Jazz
"One of the best Electronica albums I heard this autumn." - Yamanote Dreams
"'Clouds Under The Table' is an excellent and eclectic work, with countless influences. A never-boring instrumental album that offers surprises after many listening" - NetMusic Life
"'Ambient' might begin to describe this music, but the presence of Discepoli's relatively straightforward drumming gives the compositions more of a rootedness and energy than that to which most typical Electronic Ambient music lays claim" - All About Jazz
"A vibrant and rich sonic color palette combined with soul shaking melodies and a live drum set move this music to a post Rock/Jazz Fusion line where it music rests comfortably while creating an ambient pulse. [... ]Clouds Under The Table is a well thought out and impeccably performed sonic food for the visceral as well as the cerebral" - Critical Jazz
Hypnotic, mysterious, suggestive music; it starts with a minimalistic arpeggio then enter distant voices and bass notes that hints to the harmony. We are not moving in space anymore, we are suspended in the middle of the universe, Instrumental, New Age, Contemporary Instr
Beautiful, mysterious music. Slow and sensitive with delicate piano melody and edgy and suspenseful static accompaniment. Low key scenes for bad guys planning a home invasion, a romance going on the rocks, flashbacks to earlier events. Sweet, atmospheric, nostalgic, souful and emotional. Instrumental, New Age, Contemporary Instr
A sweet lullaby... you are in a safe place now, you can look at the reality and not being afraid of that. A Dulcitone melody going on and on, with some electronics, then a middle part with pads. After that the melody starts again climating to the end. A perfect track for the last scene of a movie. Instrumental, New Age, Contemporary Instr
Slow very dark ambient, with cymbal washes, brushes and electronic pads. Slghtly droning and dissonant, ominous, rumbling sounds, big reverb. Make you feel stranded in the middle of the ocean, Instrumental, New Age, Atmospheres
Suspended ambient atmospheres, big spaces and suggestive landscapes, make you feels like flying above clouds. An electric guitar playing a very sparse melody. The sounds becomes gradually harsher, then more ethereal. Electricity pulsating through clouds, Instrumental, New Age, New Age Electronic
Beautiful track driven by almost tribal drums, with echoing guitars and electronics. Haunting melodies and a long, suggestive fading coda, Instrumental, New Age, Contemporary Instr
A slow, evolving ambient track, with sparse and soft drums, distant sounds, few melody notes. Moody atmosphere. Getting darker by the end. Tim Hecker style, Instrumental, New Age, Abstract
Slowly dark ambient, with cymbal washes, drums fills and electronic pads. Gradually becomes more dissonant and ominous with drums more intense and nervous. Then the tracks open up, with beautiful chords, brighter sounds and light cymbal washes, Instrumental, New Age, New Age Electronic
A slow intro, with melodic, metal percussions arpeggios and shakers, rains sticks, cymbals, creating a beautiful ambient mood. Then it starts a modal, spiritual jazz section, building with synth, drums, bass until the end, Instrumental, New Age, Contemporary Instr
A slow, warm track, it starts with a long droning note (slightly modulated), while an open and free drum kit part (played with brushes), creates some movement. The harmony changes after a while, with drums becoming more intense (using mallets too), and sounds and melody fragments are added. Instrumental, New Age, New Age Electronic
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