A guitarist for over 35 years, Mark Fitchett is an artist whose compositional, performance and improvisational skills cross multiple musical boundaries. His music draws on influences from Jazz, Rock, Country, R&B, and Blues, exemplifying the best of each world, without diminishing his own unique approach and personality. Mark has recorded several CDs under his own name and his guitar work has been featured on television commercials, movie scores, and on many other artists’ recordings.
Mark Fitchett studied composition, arranging and film scoring at the Dick Grove School of Music in Los Angeles. He also received an Associate Degree in Dance from El Camino College and a Bachelor of Arts in Composition from CSU Long Beach.
He is a four-time nominee for the Lester Horton Awards for Outstanding Achievement in Music for Dance with music for The Regina Klenjoski Dance Company with Love Lies Waiting, Christian’s Lullaby, The Museum Project, and most recently The Crossings. Other projects with Regina include Dear Mimi, Original Sin and It Feels Like Pitch Black.
Mark has also worked composing and editing music for various Los Angeles choreographers including Lula Washington and Robert Gilliam. Mark currently owns and operates three music schools in the Long Beach and the South Bay communities.
Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Style of I've Got My Mojo Working by Muddy Waters. 12 bar loop. Good for club scenes background. Would work well for voice over backgrounds on radio commercial, documentaries, PSA, introduction, Instrumental, Blues, Country Blues
Rockabilly that is slightly jazzy. Think Stray Cats and Brian Setzer. This instrumental track is great for any kind of background that needs this vibe. Instrumental, Blues, Country Blues
Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Similar to Muddy Waters Hoochie Coochie Man. Instrumental, Blues, Chicago Blues
Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Rhythm guitars, bass, drums and keyboards. Instrumental, Blues, Electric Blues
You woke up this mornin’? You’re baby left you for someone new? Then cry your heart out as you listen to this classic slow blues. You’ll be in comfortable shoes standing with the likes of everyone from Albert King to ZZ Top. Backing rhythm track only, no voice or solo instruments. Instrumental, Blues, Modern Electric Blues
Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Rhythm guitars, bass, drums and keyboards. Think SRV that's Stevie Ray Vaughn. Texas shuffle time. Instrumental, Blues, Texas Blues
Really slow minor 12-8 blues. Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Can be looped. Key of B. Sky is Crying, Texas Flood, Red House, Instrumental, Blues, Chicago Blues
Backing rhythm track only, no voice or solo instruments. Great for an unobtrusive background bed. Rhythm guitars, bass, drums and keyboards. Instrumental, Blues, Country Blues
Simple rootsy slide guitar riff. Good for outdoors. On the plains. With horses. Very rural sounding. Gutsy and real, lends authenticity to stories set in the rural south, 1800's Americas, and more, such as 12 Years A Slave. Instrumental, Blues, Country Blues
Swing blues, jumps blues up-tempo. Good for club scenes background. Great mood setter with just the rhythm section and no solos to distract and would well for voice over backgrounds on radio commercial, documentaries, PSA, introduction, Instrumental, Blues, Jump
A minor blues instrumental backing track ala BB King's Thrill is Gone. Good for club scenes background. Great mood setter with just the rhythm section and no solos to distract and would well for voice over backgrounds on radio commercial, documentaries, PSA, introduction, Instrumental, Blues, Modern Electric Blues
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