Colorado composer/sound designer Kevin Breidenbach has been involved in computer-based sound design and music production since 1997. In addition to his two solo projects (Skin Contact and Fugue State), Kevin was also a member of techno-industrial outfit Krushed Opiates, and has done a number of remixes for other artists. Kevin's music is known for top-notch production and sound design, consistently bringing good reviews from the independent press and receiving airplay on some of the best-known industrial music shows on both terrestrial and internet radio.
Kevin's most recent projects include releases for both of his solo musical projects, and sound design for the presets bundled with the recently released Kinisis software synthesizer from Progress Audio.
A slow but intense dark electronic/industrial track which would work well in a sci-fi or horror context. Instrumental, Electronic, Industrial (pending)
Dark, ominous track with breakbeats and atmospheric synths. SFX like buzz saws, menacing noises, hot beats, and good rhythms produce a powerful, ominous and foreboding track. Extreme sports, repetitive motions, urban warfare, gang chases, drugs, pimps, alley stabbings, torture and murder. Instrumental, Electronic, Industrial (pending)
Slower-paced, atmospheric dark electronic. Like slo mo death watch, screeching birds (vultures?) hovering over the hovering over the carcuss, Miami Vice, 24, CSI, Forensic Files, Tru Crime, nightmares, Sci Fi cyber wars, alien invasion, holy terror, murder and mayhem, and menacing situations. Instrumental, Electronic, Psybient
Moving ambient piece with choir pads, strings, atmospheric synths, and piano. Melancholy with a touch of hope. Instrumental, Electronic, Electro Ambient
Intense industrial rock track with thumping bass, razor-sharp synths, and guitars. Good for a chase or even fight scene. Instrumental, Electronic, Industrial (pending)
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