Wendy Ellison Mullen is the lead singer, rhythm guitar player, and main song writer for Late Summer Purple--a bluesy rock band playing in Seattle-area clubs and bars. They have performed twice at Bumbershoot, which Rolling Stone magazine calls the "Mother of all Festivals." Norm Langill, Bumbershoot's Director, says Wendy has "a voice like warm honey." Wendy won the Washington Blues Society's Robert Johnson blues contest with her haunting version of "Hell Hound Blues," and her music has been featured on VH1, Animal Planet, Discovery Channel, MTV, and in other venues.
While most people are awed by Wendy Mullen's barrel-house blues voice, they are equally impressed with her lyrical, legato lines in her gentler tracks. Her voice alternately soothes, cajoles, seduces, or lambasts the listener. Wendy's versatility comes from her artistry -- and perhaps also from her classical training and background as an opera singer. (Sshhh! Don't tell!). Her compositions vary from classic blues tunes to more complex multi-chordal songs, and even classical singing tracks. The commonality is the way the melody gets stuck in your head!
Mezzo-soprano and piano accompaniment. Lovely rendition of this classic lullaby. Sung in the original German. This is perfect for the background of someone who is relaxing or wanting a soft song as he or she heads to sleep. Female Vocals, Classical, Romantic, Johannes Brahms
Lullaby of the poem by Eugene Field set to music by Ethlebert Nevin. Mezzo-soprano and piano. Melancholy. This one will always make you cry. About a young boy who dies in his sleep. The singer's mother sang it to her when she was a child, as her grandmother sang it to her mother. Female Vocals, Classical, Romantic
Mezzo-soprano with piano accompaniment. Melancholy lullaby, with the rocking feel of the ocean as the boats sail away. Sung in the original French. This is a haunting song of longing as the singer feels the impending departure of her beloved. The waves of the ocean can be heard as the melody rises. Female Vocals, Classical, Opera, Gabriel Faure
Italian art song. Female vocal and piano accompaniment. By Alessandro Scarlatti. (1659-1725) a delightful tune with a classical style. This one will remind you of the things the used to be and possibilities to come as it settles in with the old Italian style. Female Vocals, Classical, Baroque
Italian art song by Alessandro Scarlatti for mezzo-soprano and piano. Dramatic sorrow. This was the song that the singer's grandmother sang to her mother as she was growing up. It gets under your skin and pulls you in. Female Vocals, Classical, Baroque
Italian art song. Mezzo-soprano and piano accompaniment. Happy and playful. Written by Alessandro Scarlatti. This is a playful little ditty, flirty and happy. A young woman in love. Female Vocals, Classical, Baroque
A romantic favorite. Mezzo-soprano with piano accompaniment. Sung in English. Lovely, touching, and beautifully sung. By Antonin Dvorak This is a lyrical rendition of a touching moment of memory as the singer reminisces about her mother teaching these songs. Female Vocals, Classical, Romantic, Antonin Dvorak
Carmen's famous mezzo-soprano aria with piano accompaniment. Here is a simple yet enticing rendition of the famous seduction aria. The voice is pure and ringing. Use this to increase the sexual tension in your film. Female Vocals, Classical, Opera, Georges Bizet
Carmen's famous aria with piano accompaniment. Carefree, swinging, lovely vocal building to high note at the end. A drinking song! The nineteenth century version of "come, let's have a drink!" a French Drinking Song! Female Vocals, Classical, Opera, Georges Bizet
The dramatic "Card Aria" from Carmen, with piano accompaniment. Builds to a powerful end on a low note, as Carmen foresees her death. This rendition captures Carmen's sense of foreboding as she sees her fate written in the cards. Death. Death. And again, death. Female Vocals, Classical, Opera, Georges Bizet
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