In the last 15 years, Markus Schmidt of France has written over 100 game soundtracks, some of which were award-winning tracks! His work includes Halo Legends, Mortal Kombat vs. DC Universe, The Cursed Crusade, and many others. Markus’ music has also been aired on TV networks like ABC, TNT, CBS, FOX, HBO, and the History Channel, plus in trailers for movies like The Chronicles of Narnia. Specializing in Dramatic and Orchestral music, Markus' compositions have been performed by a number of renowned orchestras.
Markus Schmidt's music was featured in Ridley Scott’s The Company (TNT), R. L. Stine’s Mostly Ghostly (Universal), and Powerpoint (TNT). His additional game credits include: Anno 2070 Related Designs / Ubisoft (Germany), Kinectimals Microsoft (USA), Arcania - A Gothic Tale Spellbound / JoWooD (Germany), The Black Eye – Drakensang – Best Game Soundtrack 2008 Radon Labs / DTP (Germany), Lost Horizon Deep Silver (Germany), Faery: Legends of Avalon Spiders / Focus Home Interactive (France), The Settlers 6 – Rise of an Empire – Best G. Soundtrack 2007 Blue Byte / Ubisoft (Germany).
Baby bears running through the forest having fun while living big adventures! Here is a great orchestral cue full of energy and excitement, added is a perfect underscore bed variation. Perfect for animation, cartoon or documentary. Instrumental, Cartoon, Orchestral Contemporary
Relaxing and energetic at the same time, here is a cue with a positive, comfident and uplifting vibe, which still lets you find inner peace. A short theme, played by live guitars, will stay in the mind of the listener. Instrumental, Corporate, Corporate Dance House
Crazy clown fishs jumping in and out of the aquarium in this cute and happy little children's music. Energetic and fun! Instrumental, Childrens, Childrens Instrumentals
White beaches and cool cocktails, who does not want to be there from time to time? Untill then, here is an exotic fun track which captures the mood of palms and blue sea with steel drums, marimba and bongos. Instrumental, Hawaiian, Hawaii
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