Currently based in Indonesia, Anello Capuano is a multi-instrumentalist, ethno-musicologist, composer, arranger, and producer who hails from Italy. His work spans an impressive multitude of musical styles and genres, including Medieval, Mediterranean, World, Asian, Indian, and Ethno-Electro. Anello studied extra-European traditional music at the Conservatory of Music in Marrakech (Morocco) and at the Benares Hindu University in Varanasi (India), and he has performed extensively in Europe, Africa, Asia, Canada, the Middle East, and the USA.
Anello Capuano's music can be heard in many films, documentaries, and TV broadcasts, including Year One (Harold Ramis for Columbia Pictures), Les Enfants Du Siecle (Diane Kurys), Mirrors Of Paradise (Mike Dibb for BBC), Amreeka (Cherien Dabis), Symphony Of Letters (Alanoud Al Ali), and more. His music has also been chosen around the world to illustrate all kinds of video presentations currently seen on YouTube. Anello has also recorded over 30 CD's, and his "OrienTales" has been published 15 times even as far as Korea. He has composed for ballet and fashion shows.
He recorded and performed with Progressive Rock icon Shawn Phillips (including in front of 500,000 people at the Isle of Wight Festival 1971), toured with composer Richard Horowitz ("Un the au Sahara" and other Bernardo Bertolucci films), played with Didier Malherbe (who contributed to the soundtrack of "1498" of Ridley Scott) and Steve Shehan (music director of Paul Simon for two years), recorded with Rai star Cheb Mami and Pop French celebrity Karim Kacel and collaborated on several projects with French composer Hughes de Courson, who gained worldwide fame with his hit Mozart the Egyptian.
A classical traditional piece in 10 beats for the flute Ney, the lute Oud and various Middle Eastern percussion. Towards the end the rhythm change to a lively 3 beats rhythm for a lighter interlude. Solemn, noble and courtly, ideal for an historical parade or procession scene in an opulent setting. Instrumental, Middle East, Middle-East
A slow composition for the Oud and the bamboo flute Ney based on a popular arabic/turkish rhythm played on various traditional percussion. Deep, dark and mysterious it works well for uneasy situations charged with suspense. Ideal also for an intriguing veil dance in a cabaret or in an oriental court, Instrumental, Middle East, Bellydance Music
A festive melody. At traditional weddings in the Arabian peninsula, the bouncy rhythms known as Khaleeji urges women in the audience to stand up and dance, highlighting their richly embroidered dresses. Great to enliven an happy celebration scene or as a soundtrack for an oriental road desert movie. Instrumental, Middle East, Bellydance Music
An improvised prelude in the Afghani/Indian style played on the classical/folk Afghani lute Robab, believed to be of shamanic origin. Meditative and introspective with a hint of nostalgia, it is ideal for a quiet night scene, a memorial, a sad aftermath, a mournful flash-back, homesickness and glum. Instrumental, Middle East, Afghanistan
Dance music as played in the Gulf at parties and festive gathering traditionally performed on the Oud and several percussion. After the theme a skillful improvisation explores various mood of the musical mode. Ideal to emphasize any convivial events and to arouse a positive feeling of achievement. Instrumental, Middle East, Bellydance Music
A lively 6 beats Moroccan style song to urge dancers into a trance, the head swaying and hair sweeping rhythmically the ground. It express pulsating motion, a regular gallop, so that it will match any chase, escape-to-freedom, riding-the-wind scene, sect rites, rallies, robot-like machinery at work. Instrumental, Middle East, Morocco
A dance number in the Afghani Logari (gypsy) style set on a fast 7 beats rhythm with characteristic recurring stops where the dancer is expected to wait still until the music is resumed. Played on the traditional Afghani lute Robab and on the drum Zerbeghali, it express passion, fierceness and fire. Instrumental, Middle East, Afghanistan
An high voltage instrumental piece in the style of Moroccan 6 beats trance music featuring authentic Moroccan folk lutes and various traditional drums and percussion. Ideal for tense, fast dramatic situations, chases, cavalry charges, trance states, tribal ceremonies, confrontation, car commercials, Instrumental, Middle East, Morocco
A song in the Sheikhat-s or Moroccan dancing girls style played on traditional instruments and followed by an improvisation in a popular 6 beats rhythm to make the audience stand up and dance. Perfect for oriental souk/bazaar scenes, bawdy taverns or brothels, drinking parties and thieves hideouts. Instrumental, Middle East, Morocco
A lively tune as performed in Iran at the end of a concert to make people stand up and dance, played on the traditional long-neck lute and percussion. With its fast 6 beats rhythm and positive melody, the tune underscore well any light and cheerful situation, a joyous celebration, an accomplishment. Instrumental, Middle East, Iran
A dance number in the Afghani Logari (gypsy) style set on a fast 7 beats rhythm with characteristic recurring stops where the dancer is expected to wait still until the music is resumed. Played on the traditional Afghani lute Robab and on the drum Zerbeghali, it express passion, fierceness and fire. Instrumental, Middle East, Afghanistan
Set in a popular 9 beats rhythm that often accompanies group folk dances in Turkey, Greece and the Balkans played on traditional percussion, and with the Oud to outline the melody and the subsequent improvisation, this song is ideal to enhance a film or a publicity spot with an oriental background. Instrumental, Middle East, Turkey
A song in the Turkish/Greek style featuring the 2 main turkish lutes Oud and Baglama accompanied by various Middle eastern percussion. A dance number with an unusual uneven medium 9 beats rhythm, ideal to illustrate village life, a fair, a communal dance, a busy coffeehouse or a street in the Balkan, Instrumental, Middle East, Turkey
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