UK's Paul Cooper-James creates eclectic soundtracks, Ambient 'beds,' Classical arrangements, Asian Ethnic music, thrilling pieces for psychological dramas, and amazing, exciting TV and Film music. How does Paul make instruments speak? As a proficient pianist, organist, clarinetist, and harpist, he brings these instruments alive just as his extensive choral experience lends itself to writing vocal music. At times deeply spiritual, other times excitingly rhythmic, dark, or simply light and fun-loving, Paul’s tracks are highly adaptable.
Paul Cooper-James has composed and conducted music in numerous cathedrals and concert halls around the UK and became a music adviser for the Midlands and South Wales. His influences include spiritual mantras as well as large-scale cinematic composers such as Hans Zimmer, Rupert Greyson-Williams, Christian Welde, and John Tavener. Paul acquired his musical skills through church music and a love of popular music while earning a degree in music and a Master's degree in musical engagement. He is a proficient organist, pianist and accompanist, and a trained tenor and counter-tenor. Paul has continually performed in public throughout his life with established regional, national and international choirs, ensembles, and soloists.
Foreboding and fearful sound strongly suggesting liquid movement. Deep sound feel suitable for mysterious occurrences near water or scenes of drowned people. Suitable for the search leading up to the find or awareness of a mysterious presence. Instrumental, Dangerous, Dangerous Droning
An engaging psychological intense track suitable for intense and extreme psychological situations as presented in thrillers, horror films and crime series. Super intense and suitable for cliff-hangers and psychological thrillers or warning commercials. Instrumental, Dangerous, Edgy Music
An inspiring vocal spaced-out piece with unusual, but sometime familiar harmonies. Suitable for any dramatic, traumatic experiences that question our existence, space view. Science-fiction or emotional internal struggles. Scenes demonstrating occasional harshness and eventual resolution, happiness. Mixed Vocals, Dangerous, Mysterious Dark Magical
A dramatic gradual build suitable for leading up to any dramatic happening or event. Suitable for people of action, hunting, chasing, escape or running. Gradual intensity would suit a building up, action or drawing up, of forces. Scored for large orchestra building up resources for a large grand end, Instrumental, Dangerous, Dramatic Chase
Dark and ominous track suitable for dark thrillers, space danger, evil intent and submerged danger. Suitable for the supernatural, unknown danger, hidden threat and any scene linked to war. Suitable for any haunting, horror or Halloween scene or terrorist plotting. Pulsing imitates a fast heartbeat, Instrumental, Dangerous, Danger Ambient
A gradual 'build' suitable for thrillers, dramas, horror and action productions. Gradual awareness of a threat, leading to fear, leading to running, leading to freedom. Scored for modern orchestra. Instrumental, Dangerous, Dark Music
Thriller music track suitable for political or espionage scenes or for steam train Agatha Christie murder plots. Suitable for 'following' chases, subtle hunting, mystery or scenes linked to committing a crime. Suitable for unfolding plot on a train or gradual realisation of something wrong. Mixed Vocals, Dangerous, Edgy Music
A pounding and incessant track suitable for volatile, angry, thrilling and purposeful scenes. Suitable for crime taking place, military operations, speed chases, revolutions and riots as well as demonstrating strong strength. Suitable for war operations, industrial and heavy machinery. Instrumental, Dangerous, Dramatic Chase
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