Colorado composer/sound designer Kevin Breidenbach has been involved in computer-based sound design and music production since 1997. In addition to his two solo projects (Skin Contact and Fugue State), Kevin was also a member of techno-industrial outfit Krushed Opiates, and has done a number of remixes for other artists. Kevin's music is known for top-notch production and sound design, consistently bringing good reviews from the independent press and receiving airplay on some of the best-known industrial music shows on both terrestrial and internet radio.
Kevin's most recent projects include releases for both of his solo musical projects, and sound design for the presets bundled with the recently released Kinisis software synthesizer from Progress Audio.
Mellow, almost ambient, electronica with choir pads, arpeggiated synth sequences, and solid drums. Dark and dramatic but playful, rhythmic and exciting. Law and crime, CSI lab evidence, corporate, high tech sounds, sneaky little video with twists and turns. Instrumental, Dramatic, Contemplative Music
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