Playing guitar and singing in Rock groups in the 80s, Marc Minelli was at first a fan of 60's British bands such as the Beatles and the Rolling Stones. He was always open to other musical forms, and he heard and admired Fela Kuti and King Sunny Ade in Paris in the early 80's. It was not until the late 90's that Marc began to listen seriously to Jazz. Even so, his first influences were not musicians of his own generation but were John Coltrane, Miles Davis, and Charles Mingus.
In Morocco, Marc Minelli played guitar with the Gnawas singers. Uninhibited by genre boundaries, he was opened to the encouragement of Paris-based producer/manager, Marc Antoine Moreau to consider World music. He was introduced to Malian singer Mamani Keita, a former backing singer for Salif Keita. Minelli used tapes that Keita had recorded with a Malian guitarist as the basis for some original compositions in a Jazz style. The result, 2002’s Electro Bamako, attracted a lot of favorable comment.
Cool and rhythmic, featuring a pulsing drum loop and trippy synthesizer to create a hip urban feel. Great for fashion runway scenes or lifestyle documentaries. Instrumental, Jazz, Acid Jazz
Cool and pulsing, featuring fun drum loops and ethnic vocal samples creating a mood of youthful celebration. Great for global party scenes. Instrumental, World Music, African World Fusion
Rhythmic and bouncy, featuring ethnic guitar and vocal samples that create a fun party mood. Works well for exotic celebration scenes. Instrumental, World Music, Pan-World Fusion
Rhythmic and pulsing, featuring ethnic vocal samples and a repetitive drum loop to create a fun, urban party mood. Great for youthful celebration scenes. Instrumental, Electronic, Big Beat
Light and bouncy, featuring a repetitive drum loop and jazzy rhodes to create a mood that is cool and confident. Would work well for underscore in a hip documentary. Instrumental, Jazz, Acid Jazz
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