Swedish multi-instrumentalist Per Boysen creates space-age soundscapes by blending Scandinavian ethnic music from past centuries with modern Electronic and New Age elements. He has performed Octophonic surround concerts in South-East Asia, Europe, and the USA, including venues like Présences Electronique in Paris and the North Sea Jazz in Rotterdam. With a background as a major label signed artist and studio guitar player, Per has scored a gold-selling album in Sweden and received recognition from Guitar Player Magazine in the USA.
"Among the many festival highlights was Swedish guitarist and flute/wood-wind player Per Boysen's Jon Hassel-like soundscapes." (Guitar Player Magazine, USA)
"Per Boysen's live looped ambience music with layers over layers of sax and flute melodies was a real experience, and it was obvious that he is utilizing the electronics as his personal expression without being a slave to the technology." (Smålandsposten, Sweden)
“Boysen has become an icon of as many bizarrely named pseudo-categories as inventive journalists could come up with. His prerogative of 'liking music, but not genres' has fueled his ongoing 'search for unplayed music,' which is uncompromising in its strive for fresh emotions, but doesn't shy away from audience appreciation either.” (Tokafi)
"Per Boysen returns to his looping roots with a set for his exquisite flute playing and absolute mastery of his software, many of whom’s scripts he created himself. He has such a command of acoustic musicianship coupled with a truly vast knowledge about digital sound processing and live looping. I think of him as a giant in our community" (Rick Walker. Founding promoter Y2K International Live Looping)
Starting with a loud slam this music dives into a sparse ambience to investigate a dark landscape where clues might be found as well as pending threats. Except for the short intro and outro there is plenty of midrange room for sync audio and dialogue to blend in. Instrumental, Dangerous, Apprehensive Music
Suspenseful and aggressive track with electric harp guitar, industrial synths and full orchestra including heavy drums. Contains two builds towards a crescendo; Evil stalking turns into a full chase twice during this piece. Less loud alternate mixes available by 60, 30 and 15 seconds length. Instrumental, Dangerous, Edgy Music
Suspenseful and aggressive track with electric harp guitar, industrial synths and full orchestra including heavy drums. Contains two builds towards a crescendo; Evil stalking turns into a full chase twice during this piece. Less loud alternate mixes available by 60, 30 and 15 seconds length. Instrumental, Dangerous, Dangerous Music
Extremely busy and aggressive action track with full orchestra and synth elements. Suitable for a chase scene, a fight, a competition or similar. An important cue point at 0:38 divides the track into two scene and the second half happens "under the surface", "after the crash" etc. Instrumental, Dangerous, Dramatic Chase
Smoking-hot guitars and heavy rock drums with a punk edge. Melodic chorus part with singing slide guitar on a strings orchestra bed, almost a bit country rock like The Eagles. Music should be good for anything with high speed, great scenery and a positive energetic mindset. Instrumental, Rock, Hard Rock
Aleatoric strings orchestra and creepy suspenseful electronic noise building up the tension inferno to a stinging climax hit. Works well for sudden attack scenes, collisions or a moment of insight/decision. A buzzing sound character is prominent in the orchestral instruments as well as electronics, Instrumental, Dangerous, Apprehensive Music
Guitar-driven cinematic art rock that passes through musical sections like pictures at an exhibition. Performed on fretless harp guitar, executing the spirit of pioneering bands like the King Crimson and the Yes. Perfect for dramatic synchronizing of visual cue points or just for relaxed listening. Instrumental, Dangerous, Mysterious Dark Magical
Guitar-driven cinematic art rock that passes through musical sections like pictures at an exhibition. Performed on fretless harp guitar, executing the spirit of pioneering bands like the King Crimson and the Yes. Perfect for dramatic synchronizing of visual cue points or just for relaxed listening. Instrumental, Dangerous, Dramatic Chase
Performance on Alto Flute with live electronics capturing a dense liturgic vibe in a church like concert ambience. The mode is also influenced by Scandinavian ethnic music; minor key dark melodies in slow-mo. An experimental twist corresponds to the latent madness in traditional Nordic folk music. Instrumental, Dangerous, Mysterious Dark Magical
Suspended frenzy in a modern electro-jazz trio. Drawing on vintage rock-jazz fusion as well as some 60's thriller jazz scores. In the middle part the frantic chase scene beatings calm down for a while, as a cloud of mysterious electronic crickets reverberates at a distance. Then the speed hits again, Instrumental, Dangerous, Dramatic Chase
Orchestral piece starting out in a pensive mode with a strike of suspended danger. As more and more instruments join in the vibe becomes nervous and high strung. The last part calls for action and the music stops with a massive slam. The prey feeling a bit nervous, pending threat, the hunt, the hit. Instrumental, Dangerous, Dramatic Chase
Scandinavia. You are walking all alone on a long bridge at midnight. Sticky cold fog diminishes your eye-sight in all directions. There's no traffic, you are on your own. Suddenly you realize a gigantic gray ship is passing right under your feet. Music performed as an Alto Flute and Cello duet. Instrumental, Dangerous, Danger Ambient
Slow melodies on electric rock guitar backed up by its own feedback noise and a French Horns section. The guitarist uses the acoustic feedback howls to build up a soaring background choir, behind the played lead melody. Dense but sensitive music that rolls in like gigantic waves of sonic debris. Instrumental, Dangerous, Mysterious Dark Magical
Chapman Stick and Cello played live with a horn section. The piece contains three specific remixes, of different characters; encounter, fight and serenity. The three sections are also available as shorter pieces, to match assorted film cue demands. Instrumental, Dangerous, Danger Ambient
Extremely low guitar strings go so loud that they make speaker cabinets shake. Combined with the pounding of big metal objects this creates a vision of huge powerful machines. A strike of doom from church bells sets off a wild chase. Instrumental, Dangerous, Dramatic Chase
This rough electro orchestral cue keeps building up suspended aggression. After a short break-down, cracking rock drums kicks in the final chase. Now even harder as an electric cello and electric guitar are screaming with the symphonic orchestra. There's a strike of triumph in the massive chaos. Instrumental, Dangerous, Dramatic Chase
This Chapman Stick piece, backed by Horns, brings on the feeling of approaching sweet home after a long travel. Still on the move through a partly unknown landscape, your thoughts and emotions go out to embrace the things you love, that are waiting for you to reunite. You just can't wait for it. Instrumental, Dramatic, Happy Music
"They are not very fast, but they will never stop chasing you - and they will get you at last!" A dark cello and bright glockenspiel are building a mercy-less atmosphere of evil inside an abandoned church. Instrumental, Dangerous, Apprehensive Music
"They are not very fast, but they will never stop chasing you - and they will get you at last!" A dark cello and bright glockenspiel are building a mercy-less atmosphere of evil inside an abandoned church. Instrumental, Dangerous, Danger Ambient
ARTIST KEYWORDS: Per Boysen, Instrumental Rock, Jazz, Classical, New Age, Electronic, Cinematic, Scoring Cues, soundtrack, surround, John Abercrombie, ECM, fiord, stick, harp guitar, fretless, flute, Mark Knopfler, Dire Straits, Pink Floyd, harp, cello, electric, David Gilmour, Robert Miles
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