Chris Davey is a UK-based Film Composer and Producer who has scored over 40 films including features, shorts, and documentaries. In addition to his film compositions, his work has been featured on such shows as "Top Gear" and "Blue Peter," and can be heard respectively on BBC, Sky, and Audi advertisements. Chris is currently writing music for Trailers for Hollywood, the UK, and abroad in a wide variety of genres like Dramatic, Corporate, and more. His consistent high quality and engaging compositions captivate and inspire listeners
Chris Davey's credits include: It Ends At The Shore (2011) – Composer Straws (2012) – Assistant Composer Straws, The Making Of (2012) – Composer Hotel Paradise (2012) – Composer Old Dogs (2012) - Composer The Atheist (2012) – Composer/Sound Design Him & Her (2012) - Composer The Toy (2012) – Composer (Completed) Chaotica – (2012) – Composer (Post Production) Radioheads – (2012) (Post Production) Golden Brown (2012) - Composer (Completed) Cacophony (2013) - Composer (Completed) Sleeping Dogs (2014) Antarctica (2015) Fire and Ice (2016) Little Kingdom (2016) The Space Within (2016) The Radiant One (2016) The Blue Time (2017) Standing Tall (2017) Cut By Beam (2017) Anything You Want (2017) Terezin (2018)
cool and beautiful piece begins with pulsating synths and subtle ambience. sampled vocals throughout. The main synthesised vocal hook utilises reverb and long delays leading to a groovy and enjoyable house type beat. Corporate material would benefit massively along with events and functions. Male Vocals, Corporate, Corporate Dance House
Beautiful and hugging ambience opens up a soundscape for a simplistic yet conventional piano part accompanied by guitar. A repetitive piano octave then bursts into life with sweeping uplifting and happy strings and huge drums. Extremely positive and euphoric making this perfect for corporate films. Instrumental, Corporate, Corp Electro-Orchestral
A filtered and delayed drum beat rises to a very catchy synth hook with sampled vocal harmonies that give this unique piece flavour and character. guitars start to fill the track out towards the end with beats of silence to keep the listener engaged. 1980's feel remenicent of Tears for Fears, Female Vocals, Corporate, Corporate Dance Breakbeat
This very retro track starts with a cool plucky synth playing a swaggering melody and catchy hook immediately giving off vibes of the tv show Stranger Things. Slight pitch fluctuations give an analogue feel, and the dramatic ambience makes the track spacious and larger than life. Fun but serious, Instrumental, Corporate, Corp. New Age Electronic
Cool synths play throughout this track, with a reverberant electric guitar playing a great hook that makes it perfect for branded and promotional material. Short but sweet, with a punchy kick and disco feel to the rhythm. Repetitive but interesting and unique, the track has a modern feel. Instrumental, Corporate, Corporate Dance House
Straight into the beat this track has a dance vibe that is perfect for events and corporate material. The beat is swinging and has a lot of swagger. The lead vocal sample plays a catchy hook with spacious delays. The beat then stops to give way to a massive filter sweep pad building to a drop, Instrumental, Corporate, Corporate Dance House
A swing beat opens the track and gives a very groovy feel. recorded Vocals from a sampler make this track feel like a journey, perfect for background music to travel programmes, commercials or car adverts and leisure. Feeling of longing, Uplifting overall and happy vibe with a predictable ending. Female Vocals, Corporate, Corporate Pop Electronic
A short piece made with the intention of a corporate Logo. Simple synthesiser elements and arpeggios with enigmatic delays and reverse reverb to give space. Perfect for branding and promotional material and advertising for a company. Instrumental, Corporate, Radio/Multimedia
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